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Unforgettable First Impressions: The Red Carpet Debuts of Hollywood Legends

Lily Tredwell

Julia Roberts: The Men's Section Armani Statement (1990)

Long before she was America's Sweetheart, Julia Roberts made a massive splash at the 1990 Golden Globes. To accept her award for Steel Magnolias, she bypassed the traditional evening gown and showed up in an oversized, masculine Giorgio Armani grey suit. This choice was reportedly quite scandalous at the time, as leading ladies were expected to be ultra-feminine on the red carpet. She walked the line between comfort and high fashion, proving she was a star who intended to do things her own way.
Julia Roberts: The Men's Section Armani Statement (1990)
Getty Images/Ron Galella, Ltd. / Contributor
The juicy fact is that she reportedly bought the suit off a men's rack herself because she hated the restrictive dresses stylists were pushing on her that season.

Meryl Streep: The Lace Dress from a Wedding Oscar Debut (1979)

When Meryl Streep attended her first Oscars in 1979 as a nominee for The Deer Hunter, she didn't opt for a high-fashion designer gown. Instead, she arrived in a sheer black bohemian-style dress with white lace detailing that she reportedly picked out herself from a local boutique. It was a very grounded, 1970s look that reflected her New York theater roots rather than high Hollywood glamour. She seemed almost startled by the level of attention she received that night from the international press corps.
Meryl Streep: The Lace Dress from a Wedding Oscar Debut (1979)
Getty Images/Ron Galella / Contributor
At this stage, she was dealing with the profound personal grief of losing her partner, John Cazale, while simultaneously being hailed as the greatest actress of her entire generation.

Barbra Streisand: The Accidentally Transparent Pantsuit (1969)

Barbra Streisand’s first trip to the Oscars is legendary not just because she won Best Actress for Funny Girl, but because of her daring outfit choice. She wore a sequined Arnold Scaasi bell-bottom pantsuit that reportedly looked quite modest in the dressing room but became completely see-through under the harsh television lights. She took the stage to accept her trophy with a level of confidence that masked any potential wardrobe embarrassment she might have felt at the time in front of millions.
Barbra Streisand: The Accidentally Transparent Pantsuit (1969)
Getty Images/Ron Galella / Contributor
Barbra reportedly had no idea the world was seeing her skin until she got home and saw the news; she later admitted it was just a total lighting fluke.

Harrison Ford: The $10,000 Star Wars London Premiere (1977)

Harrison Ford was already 35 years old when he skyrocketed to global fame as Han Solo, but his red carpet presence in the late seventies was far from the polished, tuxedo-clad icon we see today. At the London premiere of Star Wars, he reportedly looked more like a man ready for a casual dinner than a sci-fi legend, wearing a brown corduroy-style jacket and a wide-collared shirt that screamed reluctant movie star. He appeared somewhat bemused by the flashing bulbs and the screaming fans who were gathered outside the theater.
Harrison Ford: The $10,000 Star Wars London Premiere (1977)
Wikimedia Commons/Argus Photographer
The juicy reality was his paycheck; Ford was reportedly paid a mere $10,000 for the entire film, which is why he often looked more like a working-class carpenter than a millionaire actor.

Brad Pitt: The Under-Dressed and Uncredited Date Night (1988)

A very young Brad Pitt made one of his earliest red carpet appearances in 1988, long before he was a household name. He attended the premiere of the TV show Head of the Class alongside his then-girlfriend, actress Shalane McCall. He sported a very eighties look that included a baggy shirt and a somewhat unkempt hairstyle that looked more like a beach trip than a Hollywood event. He seemed happy to simply be there as a guest and support his partner during her big night.
Brad Pitt: The Under-Dressed and Uncredited Date Night (1988)
Getty Images/Vinnie Zuffante / Stringer
Brad was essentially a professional plus-one here; he was often uncredited in films and had just finished a stint working as a giant chicken for a local restaurant.

Dolly Parton: Her Memorable First Grammy Awards (1977)

Dolly Parton made her first big Hollywood splash at the 1977 Grammys, and she did it in true Dolly style. She wore a bright, ruffled pink sleeves that she reportedly helped design herself, complete with her signature big hair and shimmering makeup. While many Hollywood stars were leaning into the minimalist disco look of the late seventies, Dolly stayed true to her country roots. She radiated a level of warmth and charm that quickly won over the traditionally stiff and formal Academy audience.
Dolly Parton: Her Memorable First Grammy Awards (1977)
Getty Images/Ron Galella / Contributor
Her outfits were often so tight she couldn't sit down; she famously joked her father said her outfits were like 50 pounds of mud in a five-pound bag.

Diane Keaton: The Wardrobe From Her Own Closet Debut (1977)

Diane Keaton’s debut as a style icon happened at the premiere of Annie Hall, where she basically wore her own clothes and changed fashion history. Instead of a dress, she wore wide-leg trousers, a vest, and a tie, which was reportedly her actual daily wardrobe at the time. This first impression was revolutionary because it gave women permission to embrace menswear and comfort over tight-fitting gowns. She moved with an easy grace that suggested she was much more concerned with her art than being a starlet.
Diane Keaton: The Wardrobe From Her Own Closet Debut (1977)
Getty Images/Ron Galella / Contributor
The juicy truth is that the film’s costume designer allegedly hated the look and tried to force her into a dress, but director Woody Allen insisted she wear whatever she wanted.

Jamie Lee Curtis: The Bargain Bin Scream Queen (1978)

As the daughter of Hollywood royalty, Jamie Lee was no stranger to the industry, but her own debut at the Halloween premiere was a major moment. She arrived looking like the quintessential Scream Queen, with a simple, chic look that didn't lean too heavily on her parents' fame. At 19 years old, she had a natural, athletic beauty that was a far cry from the heavily made-up stars of the previous decade. She appeared grounded and surprisingly calm despite being the face of a terrifying new genre.
Jamie Lee Curtis: The Bargain Bin Scream Queen (1978)
Getty Images/MediaPunch / Contributor
Jamie Lee reportedly bought her own outfit for less than $100 because she was only paid $8,000 for the entire movie, making this a very budget-friendly debut.

Sylvester Stallone: The Broke and Borrowed Cinderella Moment (1977)

When Rocky took the world by storm, Sylvester Stallone arrived at the 1977 Oscars looking like the ultimate underdog who had finally made it. He wore a classic tuxedo but carried himself with the raw energy of a man who had literally fought his way to the top. This debut was a Cinderella story for the ages, and his genuine excitement was visible in every photograph. He looked like someone who had just won the lottery, which in many ways, he truly had through his script.
Sylvester Stallone: The Broke and Borrowed Cinderella Moment (1977)
Getty Images/Michael Ochs Archives / Stringer
Just months before, Stallone was reportedly so broke he had to sell his dog for $40 just to buy food, though he famously bought the dog back later on.

Cher: The Crop Top Scandal of the Academy Awards (1973)

Cher was already a music superstar when she made her first major solo impact at the Oscars, but her outfit choice sparked a scandal. She wore a midriff-baring, sheer gold two-piece set designed by Bob Mackie that reportedly shocked the more conservative members of the Academy. She used the red carpet as her personal stage to debut her new, independent persona. Her arrival was met with a mix of audible gasps and frantic flashes from the press corps who had never seen anything quite like it.
Cher: The Crop Top Scandal of the Academy Awards (1973)
Getty Images/Michael Ochs Archives / Stringer
Cher allegedly wore the daring outfit as a rebellion against the industry’s attempts to box her into a more traditional, modest image during her messy split from Sonny.

Michelle Pfeiffer: The Shy Trophy Wife Scarface Premiere (1983)

Michelle Pfeiffer made an entrance at the 1983 premiere of Scarface, wearing a sleek, minimalist look that showcased the ethereal beauty that would make her an icon. Even though she played a trophy wife in the film, her red carpet look was highly sophisticated and understated. She appeared quite reserved, almost as if she was trying to hide from the immense pressure of the spotlight. This night marked her transition from a young actress to a household name and a major cinematic force.
Michelle Pfeiffer: The Shy Trophy Wife Scarface Premiere (1983)
Getty Images/Ron Galella, Ltd. / Contributor
The juicy reality is that Al Pacino and the director were reportedly quite hard on her during filming, feeling she was too green for such a major role.

Oprah Winfrey: The Tight Dress Prayer (1986)

Oprah Winfrey’s first trip to the Oscars as a nominee for The Color Purple was a monumental first impression with a side of fashion anxiety. She arrived in a glamorous, shimmering gown and reportedly felt like she was in a dream, having gone from a local host to an Oscar nominee. She was still relatively unknown in the film world at this stage. Her excitement was infectious, and she spent much of the night marveling at the legends around her in the theater.
Oprah Winfrey: The Tight Dress Prayer (1986)
Getty Images/Ron Galella / Contributor
The juicy truth was that she had been terrified the dress wouldn't fit, reportedly praying the morning of the awards that she could zip the gown up safely.

Jane Fonda: The Model Turned Serious Starlet (1962)

A very young Jane Fonda made her first major awards show appearance in 1962, representing the next generation of Hollywood royalty. She arrived in a sophisticated, classic gown that reflected the transition from the 1950s glamour era to the modern 1960s. She felt a massive amount of pressure to live up to her father Henry Fonda’s status while proving her own talent. She appeared polished and professional, a far cry from the counter-culture icon she would eventually become in later years.
Jane Fonda: The Model Turned Serious Starlet (1962)
Getty Images/ Michael Ochs Archives / Stringer
The juicy fact is that she was reportedly bored with being a fashion model and only took up acting because she was broke and needed the money.

Patrick Swayze: The Disco and Denim Debut (1979)

Before he was the king of the eighties, Patrick Swayze made his red carpet debut for the disco-themed film Skatetown, U.S.A. He reportedly looked like a quintessential 1970s heartthrob, with feathered hair and a lean dancer’s physique that caught everyone's eye. He was still struggling to transition from professional dancing to acting at this early stage of his career. He walked the carpet with his wife, Lisa, showing a level of loyalty that would define his entire personal life in Hollywood.
Patrick Swayze: The Disco and Denim Debut (1979)
Getty Images/Fotos International / Contributor
The juicy truth was that he was reportedly devastated after a knee injury ended his ballet dreams, leading him to pursue acting as a desperate backup plan.

Goldie Hawn: The Sleeping Through the Win Star (1970)

Goldie Hawn missed her first big red carpet debut at the 1970 Oscars because she was in London filming a project. When she won Best Supporting Actress for Cactus Flower, she was allegedly fast asleep in her hotel room and was woken by a phone call. She was the face of the flower power generation, known for her bubbly and infectious personality. Her later appearances on the red carpet would define the whimsical style of the decade, featuring mini-dresses and playful accessories.
Goldie Hawn: The Sleeping Through the Win Star (1970)
Getty Images/TPLP / Contributor
The juicy detail is that she reportedly completely forgot the awards were even happening and was shocked when a reporter called her in the middle of night.

Sigourney Weaver: The Too Tall for the Room Heroine (1979)

Sigourney Weaver made a striking first impression at the premiere of Alien, standing nearly six feet tall and projecting an aura of strength that was rare for actresses at the time. She chose a look that was chic but practical, avoiding the hyper-feminine frills of the late seventies. At this point, she was a highly trained stage actress who found the movie star treatment to be a bit absurd. She stood tall among her male co-stars, literally and figuratively, as she launched a legendary career.
Sigourney Weaver: The Too Tall for the Room Heroine (1979)
Getty Images/ Ron Galella, Ltd. / Contributor
Sigourney reportedly used a fake name early in her career because she felt too big and awkward for a girl named Susan, her actual birth name.

Susan Sarandon: The Accidental Actress Debut (1970)

Susan Sarandon made her very first red carpet appearance for her debut film, Joe, in 1970. She arrived looking like a true child of the seventies with long, natural hair and a wardrobe that was more East Village than Beverly Hills. She was a young rebel starting her legendary journey with no clear plan for fame. She seemed slightly bewildered by the formality of the event, preferring the gritty and authentic culture of New York City over the glitz of California.
Susan Sarandon: The Accidental Actress Debut (1970)
Getty Images/Art Zelin / Contributor
Susan reportedly only got the role because she accompanied her then-husband to his audition and the casting director asked her to read on a whim.

Diane Lane: The New Grace Kelly at Age 14 (1979)

A teenage Diane Lane made an unforgettable first impression at the 1979 Oscars when she was just 14 years old. She arrived in a sweet white dress, looking both innocent and incredibly poised for someone so young. She was hailed as the next big thing in Hollywood after her role in A Little Romance. The spotlight was intense, but she handled herself with a level of maturity that suggested she was destined for a very long and successful career in film.
Diane Lane: The New Grace Kelly at Age 14 (1979)
Getty Images/Ron Galella / Contributor
The juicy fact is that her co-star, Laurence Olivier, reportedly declared her the new Grace Kelly during filming, putting enormous pressure on the young girl.

Glenn Close: The Broadway to Big Screen Transition (1983)

Glenn Close made her first Oscar red carpet appearance as a nominee for The World According to Garp. She chose an elegant, understated look that stood out among the flashier eighties styles. She found the movie world to be much louder than the theater, but she handled the sudden fame with great intelligence and grace. She was already in her mid-thirties, which gave her a sense of self-assurance that many younger actresses had not yet developed in the high-pressure industry.
Glenn Close: The Broadway to Big Screen Transition (1983)
Getty Images/WWD / Contributor
The juicy detail is that Glenn was already in her mid-thirties when she landed her first movie role, having been told she wasn't right for film.

Sally Field: The I Can't Believe You Like Me Win (1980)

Sally Field’s first Oscar win for Norma Rae was accompanied by a red carpet appearance that reflected her girl next door persona. She wore a simple, floral-print dress that she felt comfortable in, rather than a stiff couture gown. This was a major turning point in her long career, allowing her to finally escape the lighthearted television roles of her youth. She looked radiant and genuinely surprised by her own success, capturing the hearts of the audience in the theater.
Sally Field: The I Can't Believe You Like Me Win (1980)
Getty Images/Bettmann / Contributor
The juicy detail is that Sally was reportedly desperate to be taken seriously after years of being known for silly roles like The Flying Nun.

Whoopi Goldberg: The Welfare to Wealth Oscar Debut (1986)

Whoopi Goldberg made a massive first impression at the 1986 Oscars as a nominee for The Color Purple. She arrived in a glamorous gown that reflected her unique personality. At this stage, she was breaking barriers for Black women in Hollywood and becoming a household name across the nation. She felt like an outsider in the room, but her talent made it impossible for anyone to ignore her presence. She had traveled a long and difficult road to reach that stage.
Whoopi Goldberg: The Welfare to Wealth Oscar Debut (1986)
Getty Images/Vinnie Zuffante / Stringer
The juicy backstory is that just years prior, Whoopi was reportedly a single mother living on welfare and working as a bricklayer to survive and provide.

Tom Cruise: The Taps Premiere Teenager (1981)

A very young, 19-year-old Tom Cruise made one of his first red carpet appearances for the film Taps. He reportedly had a lot of baby fat in his face and his signature smile wasn't yet the multi-million dollar asset it is today. He wore a simple suit and looked a bit like a high school student attending a formal dance. He appeared incredibly intense even then, with co-stars reporting that he was easily the most focused person on the movie set.
Tom Cruise: The Taps Premiere Teenager (1981)
Getty Images/WWD / Contributor
Allegedly, he was just one of several young actors who were being hailed as the next generation of talent, though few predicted his massive global dominance.

Arnold Schwarzenegger: The Too Big for the Suit Newcomer (1977)

Arnold Schwarzenegger made a massive first impression at the 1977 Golden Globes, where he won New Star of the Year. At the time, Hollywood didn't quite know what to do with a champion bodybuilder with a thick Austrian accent. He reportedly showed up in a tuxedo that struggled to contain his massive physique, looking like a fish out of water among the traditional leading men. His confidence on that red carpet was undeniable, and he spent the night charming everyone he met with his wit.
Arnold Schwarzenegger: The Too Big for the Suit Newcomer (1977)
Getty Images/Fotos International / Contributor
The juicy bit is that he reportedly had to have his tuxedo custom-made because no standard rental suit could fit his massive 22-inch biceps at the time.

Tom Hanks: The Curly and Concerned Splash Premiere (1984)

Tom Hanks was primarily known as a TV actor from Bosom Buddies when he arrived at the premiere of his breakout film, Splash. His look was quintessentially mid-eighties, featuring a slightly ill-fitting suit and a head of unruly, tight curls that hadn't yet been tamed by professional stylists. He looked like an approachable, friendly neighbor who had accidentally stumbled onto a movie set. The industry was curious to see if this sitcom comedian could actually transition into a legitimate leading man in cinema.
Tom Hanks: The Curly and Concerned Splash Premiere (1984)
Getty Images/Ron Galella, Ltd. / Contributor
The juicy fact is that Disney reportedly didn't want him for the lead, fearing he wasn't movie star material or handsome enough to carry a romantic lead role.

Michael Douglas: The Shadow of the Father Success (1976)

Michael Douglas didn't make his first big Oscar red carpet appearance as an actor, but as a producer for One Flew Over the Cuckoo's Nest. He reportedly looked every bit the young, ambitious Hollywood scion, wearing a tuxedo that reflected the high-stakes world of 1970s filmmaking. He was working hard to carve out an identity that was distinct from his legendary father. The success of the film that night would change his trajectory forever, taking him from the small screen to the big time.
Michael Douglas: The Shadow of the Father Success (1976)
Getty Images/WWD / Contributor
The juicy backstory involves his father, Kirk Douglas, who had failed to get the movie made; Michael reportedly had to wrestle the rights away to produce it himself.

Dustin Hoffman: The Misery and a Wetsuit Nominee (1968)

When Dustin Hoffman attended his first Oscars as a nominee for The Graduate, he reportedly felt like a total fraud. At 30 years old, he didn't look like the typical tall, dark, and handsome leading man that Hollywood was used to, and he famously wore a simple, stiff tuxedo. He looked visibly uncomfortable in front of the flashing bulbs and the sea of elite celebrities. This debut marked the beginning of the New Hollywood era, where character actors could finally become legitimate leading men.
Dustin Hoffman: The Misery and a Wetsuit Nominee (1968)
Getty Images/Bettmann / Contributor
Dustin was reportedly so nervous during the screen test that he was miserable and certain he would be fired, a feeling that followed him to the red carpet.

Richard Gere: The Armani-Clad Sex Symbol (1980)

Richard Gere’s appearance at the premiere of American Gigolo in 1980 was a cultural moment that redefined the leading man look for the decade. He reportedly wore Armani, looking incredibly sleek, modern, and expensive. At this stage, he was a focused actor who was also deeply interested in Buddhism, giving him a certain zen intensity that the cameras loved. His presence on the carpet was electric, signaling to the world that a new kind of Hollywood heartthrob had officially arrived on the scene.
Richard Gere: The Armani-Clad Sex Symbol (1980)
Getty Images/Ron Galella / Contributor
The juicy reality is that Gere was reportedly the third choice for the role, after John Travolta turned it down twice before production finally began with Richard.

Steve Martin: The No More Arrow Leading Man (1979)

Steve Martin’s transition from a wild stand-up comedian to a movie star was marked by the premiere of The Jerk. He reportedly arrived looking surprisingly dapper in a well-fitted suit, which was a departure from the white suit and arrow through the head persona fans were used to. He used the premiere to show the industry that he was a serious writer and actor who could headline a major motion picture. He seemed to handle the massive crowd of fans with a polite, reserved dignity.
Steve Martin: The No More Arrow Leading Man (1979)
Getty Images/Art Zelin / Contributor
The juicy detail is that Steve was reportedly deeply lonely and shy in his private life during the height of his fame as a wild and crazy guy.

Kevin Costner: The Cut From the Credits Comeback (1985)

A young Kevin Costner made one of his first big red carpet appearances for the western Silverado. He arrived looking like the quintessential American good guy in a simple suit that reflected his grounded nature. At this stage, he was a dedicated family man who had worked odd jobs while waiting for his big break. He appeared genuinely grateful to be included in the production, shaking hands and smiling warmly for the photographers who were just beginning to learn his famous name.
Kevin Costner: The Cut From the Credits Comeback (1985)
Getty Images/ Art Zelin / Contributor
The juicy context was his recent heartbreak; he had famously been cast in The Big Chill, only to have every single one of his scenes cut entirely.

Danny DeVito: The Taxi King and the Quick Marriage (1978)

Danny DeVito’s early red carpet appearances during the height of the TV show Taxi were always full of energy and personality. He reportedly embraced his unique look, often appearing in stylish suits that reflected his fun-loving nature. At this stage, Danny was becoming a household name as the mean-spirited Louie De Palma, a character he loved playing. He was often accompanied by Rhea Perlman, and the two were quickly becoming one of the industry's most beloved and relatable power couples.
Danny DeVito: The Taxi King and the Quick Marriage (1978)
Getty Images/ Frank Edwards / Contributor
The juicy fact about his early years is that he and Rhea reportedly moved in together just two weeks after meeting, despite the skeptics' early warnings.

Morgan Freeman: The 50-Year-Old Newcomer (1988)

Morgan Freeman's first big red carpet moment as an Oscar nominee didn't come until 1988 for Street Smart. He was 50 years old at the time, proving it is never too late for a first impression. He arrived looking sharp and already possessing that calm authority that would become his trademark style. He had spent decades working in the theater and on children's programming before finally finding his place in the sun. His maturity gave him a level of perspective many stars lack.
Morgan Freeman: The 50-Year-Old Newcomer (1988)
Getty Images/Golden Globes / Contributor
The juicy reality is that Morgan had spent decades struggling in theater and on the show The Electric Company before finally getting his major cinematic due.

Robert Redford: The Reluctant Golden Boy (1960s)

Robert Redford’s early red carpet appearances were a masterclass in the golden boy aesthetic, even though he reportedly hated the title. In the early sixties, he appeared in perfectly tailored suits looking every bit the movie star. He was transitioning from TV guest spots to major films, though his heart was always in the mountains of Utah. He possessed a level of classic handsome charm that made him an immediate favorite of both the cameras and the theater-going public.
Robert Redford: The Reluctant Golden Boy (1960s)
Getty Images/Max B. Miller / Contributor
The juicy truth is that Redford reportedly found the glamour of Hollywood to be shallow and would often try to sneak in the back door of premieres.

Bill Murray: The Anti-Star of Camp Northstar (1979)

Bill Murray transitioned from Saturday Night Live to the big screen with Meatballs, and his red carpet debut was just as irreverent as expected. He showed up looking like he had just rolled out of bed with a mischievous smirk that suggested he was in on a joke the rest of the world hadn't heard yet. He was the ultimate anti-star, refusing to play by the rules of the Hollywood publicity machine. He spent more time joking with the staff than posing for photos.
Bill Murray: The Anti-Star of Camp Northstar (1979)
Getty Images/ Ron Galella / Contributor
The juicy fact about Bill is that he reportedly didn't have an agent for a long time, making him notoriously difficult for the studio to find.

Denzel Washington: The Cry Freedom Grace (1988)

Denzel Washington’s first appearance at the Academy Awards was in 1988 for Cry Freedom. Even back then, he possessed a level of dignity and poise that set him apart from his peers. He wore a classic black tuxedo and handled the pressure of his first nomination with incredible grace. He was already being signaled as a future leading man of great importance. He used his platform to highlight serious themes, proving he was more than just another handsome face in the crowd.
Denzel Washington: The Cry Freedom Grace (1988)
Getty Images/Ron Galella / Contributor
The juicy reality was that he was reportedly warned by some in the industry that taking on political roles would limit his leading man star potential.

Clint Eastwood: The Shy TV Cowboy (1960s)

Before he was the Man with No Name, Clint Eastwood was a television star who made his early red carpet appearances with a rugged look. In the early 1960s, he would attend events in sharp suits that highlighted his tall frame. He was focused on proving he was more than just a TV cowboy, often looking serious and somewhat detached from the social scene. He carried himself with a quiet confidence that would eventually lead him to become a legendary director.
Clint Eastwood: The Shy TV Cowboy (1960s)
Getty Images/Archive Photos / Stringer
The juicy fact is that he was reportedly incredibly shy and quiet on set, which many people mistook for him being tough like his TV character.

Patrick Swayze: The Dirty Dancing Breakthrough (1987)

While he had appeared in earlier films, Patrick Swayze's arrival at the Dirty Dancing premiere was the moment he became a global icon. He wore a sharp black tuxedo and had his hair styled in the signature eighties look that millions of fans would soon emulate. He seemed to finally be embracing his status as a leading man, moving with the confidence of a professional dancer who knew he had finally found his rhythm in the film industry after years of struggle.
Patrick Swayze: The Dirty Dancing Breakthrough (1987)
Getty Images/Vinnie Zuffante / Stringer
Reportedly, the studio had very low expectations for the film, and Swayze was shocked when it became a massive box office hit and a cultural phenomenon.

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WRITTEN BY

Lily Tredwell

Lily Tredwell never imagined she’d end up writing for a living. She always thought the world of painting and ceramics was more suited for her. But when she didn’t have access to art supplies during a year of world travels, Lily began journaling and discovered a love for writing that she’s held on to ever since.

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